How do you make them?
I use a number of different techniques such as sculpting, mosaic, stamping, and millifiori (when the design is formed in a log of clay using different shades of clay). I also use my own unique technique of faux cloisonné or wire layering, which I developed in Summer 2005. A tutorial for this technique was published in January 2006 issue of Polymer Café magazine and I now offer classes or workshops to teach it.
Each piece is unique and sculpted by hand (I never use any molds or forms). After sculpting, each piece is carefully cured in an oven to make it durable. Sometimes, when design is complicated, multiple baking is required between repetitive sessions of sculpting.
After curing, some pieces left with textured surface and some sanded with multiple grits of sand paper and buffed. Almost all of them are finished with at least two layers of gloss varnish to bring out the depth of color and for further protection. Faux cloisonné pendants require multiple layers of two different types of glaze.
The entire process is very tedious, requires lots of attention to details and lots of patience, but it also gives me a great satisfaction and joy.